Monthly Archives: December 2010
To ’11
B2TW is taking a break for the holidays (including the most magical Advent calendar dates of all, Carl and Chris’ birthdays). Thanks for reading! We’ll be back on January 3.
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Tagged as Christmas, service advisory
Tea With Chris: Charity
Tea With Chris is a roundup of recommended links, posted every Friday. Here are a few of our favourite things from the Internet this week: Carl: In the 1980s the Cameron House in Toronto was a place where artists from … Continue reading →
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Tagged as Alan Moore, charity, Paul Sanella, rap, sounds of silence, V for Vendetta
Friday Pictures – Tim Barber
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Tagged as road trip, Tim Barber, tunnels, view
10 Things I Liked in 2010 (Singles, Supervillains, Socialism)
by Chris Randle [I totally lifted this concept from Greil Marcus as well. My list is unranked and impulsive to the point of randomness; I avoided writing about anything I’ve already touched on at B2TW. And now, all hedges and … Continue reading →
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Tagged as "be mine kim pine", Batman, diabolical dads, Greil Marcus, how should a person be, Jean-Luc Godard, jerks, LEARN HOW TO ART!, Lynda Barry, monsters of ambition, Nicki Minaj, Sheila Heti, the flicker of reality, the gas station represents late capitalism and the llama is TOTALLY us, Wavelength, whip it real good
Top 10 Moments, Gestures and Consolations of 2010
by Carl Wilson
[With a debt of gratitude to Greil Marcus's Real Life Rock Top 10, the Back to the World team is reviewing 2010 on a free-associative, nerve-impulsive basis. I've confined myself to things I haven't already written about at length on this site this year, and discarded all critical-game rules of rank, comprehensiveness or balance. Another week it might be another 10.]
1. Collective redemptions: Auto-Tune the Meme
Antoine Dodson, singer of the year
I don’t know how long it will last but for now it’s a blessing to live in a day when whatever nonsense goes viral will be remixed with Auto-Tune, usually by the reliably silly Gregory Brothers. What was the sonic signature of high-end rap/R&B (and Asian and Caribbean pop) in the ’00s becomes the crazed sound of the inside-out unconscious of the Internet digesting fetishes in the ’10s. Which comes with a disturbing side, of course: What seems fair game for politicians and newscasters on the Bros.’ great, long-running Auto-Tune the News series, and unimportant when it’s Double Rainbow Guy, becomes more complex when it comes to Antoine Dodson losing his shit about a rapist in the Huntsville projects on a local news report.
Without music, it seemed nauseatingly clear people were mocking the way a gay, black man in a poor neighbourhood of Alabama spoke in a state of distress. But the music, I’d argue, really did transform that into a celebration of Dodson’s flair and sincerity, into a tune so distinctive that it can be played without words by a marching band (at a historically black university, fwiw) and still hit the same sweet divot in the brain pain. And the Dodson family was able to buy a house on the spinoff proceeds, inverting the usual consciencelessness of that Internet unconscious.
Would it be too treacly to say that it’s a reminder of how rhythm, melody and harmony are ancient technologies to mediate alienation and generate human connection? Definitely, but grant me an Xmas pass. Continue reading →
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Art things I thought about this year, that I can remember today, in order of remembrance.
by Margaux Williamson
1. The best movie I saw that I didn’t write about this year - Rocky
I had never seen any of the Rocky movies. It was recommended to me after a conversation about sports movies with my friend Lucas Rebick. I was surprised at how unfake the aesthetic was. It looked like Philedelphia in 1976.. and kind of like Toronto in 2010. I was surprised at how much I related to it. I related to Rocky and to all of the women he talks to.
“Hey Rocky” the loan shark’s driver hollers out of a car window. “Yeah?” Rocky asks. The loan shark’s driver – “You should take your girl to the zoo. I hear retarded people like the zoo.” Rocky flinches, “Fuck you, man!” Rocky shouts back, ”She ain’t retarded, she’s just shy.”
2. The other best movie I saw this year and didn’t write about – My Man Godfrey
My friend Gracie has a favourite romantic comedy from every decade. My Man Godfrey is her tops for the 30′s (1936). Carole Lombard plays a rich socialite who falls in love with her butler. It was pretty interesting to see how rich people were portrayed as such silly and thoughtlessly cruel individuals (as in every situation, the beautiful, charming ones escape total condemnation). Rich people have enjoyed a much better and enduring reputation since all the communists were kicked out of Hollywood. It reminded me of how quickly things can change and how very long they can stay the same.
My favourite part came when the family needed to talk about money - the matriarch of the rich family looked horrified and cried “Money is dreadful! We can’t talk about money, it upsets Carlo!” (Carlo is the artist that they support). At this point Carlo turns away, towards the fire, upset and shuddering like an angel. Luckily, the cheese sandwiches come in just as things are about to get awk-ward.
3. Thick of It
I really couldn’t get enough of this British TV show from 2005 about the inner workings of the modern British Government. Sample text (if I am remembering correctly) – “Terry, do you know why they call him the Fucker?”
“Is it .. is it.. because he’s.. a bit of a fucker?”
4. Work of Art: America’s Next Great Artist and what people wrote about it.
This new reality TV show premiered in the summer. Contestants, from across the U.S., compete in an art competition with a jury of professional critics and artists. It was just like any other reality TV show. It was strange. And people wrote about it.
Art Fag City covered it like white on rice, Lynn Crosbie had some good points for the artists and Jerry Saltz (an art critic who was a judge on the show) wrote an article for each episode after first participating in and then watching the episodes. Jerry Saltz’s articles were, hands down, the best art to come out of the show. The articles were written to an audience that included the show’s participants, viewers and art-insiders. He wrote about the art, judging the art and judging himself judging the art. It was strange and good.
Some art-insider critiques of the show sounded an awful lot like a reversal of the old art-outsider stereotype – “my kid could paint that”. The equivalent turns out to be - “my friend down the street from me, in Brooklyn, could paint that a lot better”. Sucks to be on the outside.
Though there didn’t feel like there was too much at stake (America’s next great artist-wise), the beginning of some hilariously awkward public conversations (involving critics, artists and audience) about what art is felt stupid-smart, meaningful and full of potential.
The only “unreality” part was at the end when there were only three contestants left. One would get the bank and the others nothing. Maybe it’s just my world, but every artist I know would have been more than happy to split a hundred thousand dollars 3 ways and then gone about their business. But I guess reality TV without winners or losers is just the NFB.
5. Websites about videos
I know about these two websites, Ryeberg Curated Video and 2 Pause: Freezing Music Video Culture, because I contributed to them. But they’re both really interesting and I’m sure there’s a lot more of these websites out there – websites that are figuring out how to talk about or organize the massive amounts of videos out there. Ryeberg has contributors write short essays on Youtube videos and 2 Pause collects interesting music videos and puts them into categories like these: Lo/No Budget (that is where I am and this nice one from Antony and Boy George), Netherclips, Stop Motion, Electric Cinema (I didn’t watch them all but found this nice one from Foals and Chris Sweeney) and French Wave. I would like to see the categories that everyone has for their videos.
6. Artists Using and Sharing
I really liked that Erykah Badu made this video by borrowing the idea from Matt and Kim. She credits them in the beginning of the video. The structure of her video is identical, but the feel and meaning are completely different and more to my interests. The borrowing and added art reminds me of this article about Jeff Wall from a while ago.
Olaf Breuning’s work (consisting of performance based art video) has always looked really interesting but I assumed that he, like a lot of artists, didn’t put all of his work on-line. I only just saw one of his videos recently when Jon Davies screened it at the Cinecycle. It was great. Then I went home, looked him up and discovered that all of his videos are available on his website. Thank you Jon Davies for reminding me of Olaf Breuning and thank you Olaf Breuning for sharing. SO much better that way.
7. Moral/ art lessons from popular music videos
LCD Soundsystem and Spike Jonze reminds us that drunk people, whom are often beautiful and fun, can also be really fucking annoying. The video, featuring the band being abused by people dressed as pandas, is as good as Spike Jonze’s videos always are. And Lady Gaga and Beyoncé remind you again that it’s a bad idea to disrespect the people who serve your food. And Kanye West, who likes a lot of the same things I like ( naked ladies, revolution, ballet, Beyoncé, Takashi Murakami) reminds us to take paintings seriously.
8. Luc Tuyman’s painting Turtle
I really loved this painting this year, from 2007.
I also really love this painting from Brad Phillips.
9. A brief LIFE OF A CRAPHEAD performance I saw at Double Double Land
The performances from Toronto’s LIFE OF A CRAPHEAD (Amy C. Lam and Jon McCurley) feel so good on your brain. They go right to the part that understands but doesn’t share with the other parts of your brain – the parts that could explain what is happening. But then those parts start understanding something else and then, somehow, every part of your brain is being massaged by a fire in-the-know and then it is over. It can feel like good drugs, but really, it’s more like spinach.
10. SUM: Forty Tales from the Afterlives by David Eagleman
David Eagleman, a neuroscientist, wrote this strange book comprised of brief scenarios of the afterlife. More about life than after.
11. Missing Objects
Is it too late for a really, really long Arrested Developement movie?
Also, I would like an audio book of Jack Hitt’s articles. I would buy two. While we wait, we can read his Mighty White of You: Racial preferences color America’s oldest skulls and bones and listen to his Act 5, the 52 minute long audio documentary about a group of prisoners at the Missouri Eastern Correctional Center who are rehearsing and staging a production of Hamlet. It’s great.
12. Golden Gate Park in San Francisco
Nice work William Hammond Hall and John McLaren. Continue reading →
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Little Boxes #26
(from “The Night Before Christmas” in Panic #1, script by Al Feldstein and art by Will Elder, 1953)
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Tagged as Christmas, EC Comics, Jane > Jesus, product placement, Will Elder
Tea With Chris: A Greater Don Cherry
Tea With Chris is a roundup of recommended links, posted every Friday. Here are a few of our favourite things from the Internet this week: Continue reading →
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Tagged as cable comix, Don Cherry, metropoles, Paper Rad, problems unsolved, riot riddims, Rob Ford, WikiLeaks
Friday Pictures – Yutaka Sone
Yutaka Sone
Yutaka Sone / Amusement Romana

Yutaka Sone / Every Snowflake has a Different Shape (giant) No. 2
Yutaka Sone / The Sky Next Door
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Teach Me How to Boogie #4: “Teach Me How to Dougie,” by California Swag District
by Chris Randle In the first installment of TEACH ME HOW TO BOOGIE, I talked to my friend Amelia Ehrhardt about bounce music and the moves that go with it. She’s still studying dance at York University. Today’s very special … Continue reading →














