Category Archives: lectures

Friday Pictures – Hennessy Youngman

 

[youtube http://www.youtube.com/watch?v=N0NIs1fOkQg]

ART THOUGHTZ: Post-Structuralism (THE CLEAN VERSION)

 

[youtube http://www.youtube.com/watch?v=7yea4qSJMx4]

 

ART THOUGHTZ: Relational Aesthetics

[youtube http://www.youtube.com/watch?v=LcBwUL6Y3UA]

ART THOUGHTZ: The Sublime

 

HENNESSY YOUNGMAN’S ART THOUGHTZArtist talk and screening with Jayson Musson at the Drake Hotel January 31 2012

&nb Continue reading

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Ten-plus Cultural Experiences I’m Still Thinking About Now that 2011’s Done with Us

by Carl Wilson  [With trademark untimeliness, Back to the World is presenting a series of belated, cross-genre, year-end lists, as we did last year, and again loosely on the model of Greil Marcus’s long-running Real Life Rock Top Ten. Margaux … Continue reading

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Enjoined Joy: “Gross National Happiness” and Pop Music in Bhutan

by Chris Randle [This essay was first presented in slightly different form at the 2011 Pop Conference.] Several years ago, the Nova Scotia think tank GPI Atlantic took on an unusual project: helping to redesign an entire country’s economic system. … Continue reading

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The Bands that Don’t Reform, by Antony Harding and Darren Hayman

The Bands that Don’t Reform, by Antony Harding and Darren Hayman, by Carl Wilson

It could read as a pretty thin joke about a couple of those aforementioned nerdz realizing that they only have their petty music-fanatic dogma left in common, but there’s a second, more bittersweet layer: If they don’t think even the relatively minor business of a rock band trying to reunite has any hope of a good result, then why are they trying to glue together a couple of split-up hearts? Continue reading

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10 Things I Liked in 2010 (Singles, Supervillains, Socialism)

by Chris Randle [I totally lifted this concept from Greil Marcus as well. My list is unranked and impulsive to the point of randomness; I avoided writing about anything I’ve already touched on at B2TW. And now, all hedges and … Continue reading

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Top 10 Moments, Gestures and Consolations of 2010

by Carl Wilson

[With a debt of gratitude to Greil Marcus's Real Life Rock Top 10, the Back to the World team is reviewing 2010 on a free-associative, nerve-impulsive basis. I've confined myself to things I haven't already written about at length on this site this year, and discarded all critical-game rules of rank, comprehensiveness or balance. Another week it might be another 10.]

1. Collective redemptions: Auto-Tune the Meme

Antoine Dodson, singer of the year

I don’t know how long it will last but for now it’s a blessing to live in a day when whatever nonsense goes viral will be remixed with Auto-Tune, usually by the reliably silly Gregory Brothers. What was the sonic signature of high-end rap/R&B (and Asian and Caribbean pop) in the ’00s becomes the crazed sound of the inside-out unconscious of the Internet digesting fetishes in the ’10s. Which comes with a disturbing side, of course: What seems fair game for politicians and newscasters on the Bros.’ great, long-running Auto-Tune the News series, and unimportant when it’s Double Rainbow Guy, becomes more complex when it comes to Antoine Dodson losing his shit about a rapist in the Huntsville projects on a local news report.

Without music, it seemed nauseatingly clear people were mocking the way a gay, black man in a poor neighbourhood of Alabama spoke in a state of distress. But the music, I’d argue, really did transform that into a celebration of Dodson’s flair and sincerity, into a tune so distinctive that it can be played without words by a marching band (at a historically black university, fwiw) and still hit the same sweet divot in the brain pain. And the Dodson family was able to buy a house on the spinoff proceeds, inverting the usual consciencelessness of that Internet unconscious.

Would it be too treacly to say that it’s a reminder of how rhythm, melody and harmony are ancient technologies to mediate alienation and generate human connection? Definitely, but grant me an Xmas pass. Continue reading

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Gleaming Eyes

by Chris Randle The academic journal Social Text just published a revised version of my 2010 Pop Conference paper, “Curtis Jackson and the Jeweled Skull.” It’s about 50 Cent’s last shoot-em-up, the history of music video games, war, money, and … Continue reading

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Tuli Kupferberg: For Nothing’s Sake

by Carl Wilson

[youtube=http://www.youtube.com/watch?v=AtT7UFbyeHU&hl=en_US&fs=1]

This weekend, I watched the Spanish not-so-gloriously defeat the Dutch in the World Cup, and figured that would be about that: Unlike the Italians, Portuguese, Brazilians, Italians, Koreans and other past contenders, whose victories bring masses of revelers into the streets of Toronto honking horns and waving flags, there isn’t to my knowledge an especially big Spanish-expatriate community here. So I bicycled down to the Kensington Market area to attend a panel discussion about the “avant-garde” (“old school and new school”). But when I arrived in the neighbourhood I found pandemonium had broken out and there were hundreds on foot and wheels jamming the streets with Spanish flags. It seemed anyone who spoke a Romance language had decided this win was fairly theirs to celebrate.

I watched for a little while, especially blown away by the fact that there was a stopped streetcar that had a crowd of some 40 people dancing high atop it, blowing vuvuzelas, rocking the vehicle on its tracks.

Then I went into the back of a bar, where for some reason in what was billed as kind of an open-discussion forum, the lights were dimmed to nearly black, there was a group of people on stage giving (very intelligent) semi-formal presentations, and the matter at stake was the survival of the “radical gesture.” This seemed like a strange juxtaposition. I wanted to shout, “Um, guys, there are people outside dancing on top of a streetcar!” Continue reading

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David Antin’s “What It Means to Be Avant-Garde” (1981/1993), 2010 Scream festival edition

by Carl Wilson

I was having one of those swamp-thing weekends where you start crying in all the wrong places and to all the wrong people, and I needed a therapy. Not the sort to solve problems but the sort in which you invent an imaginative diversion machine to feed them into, to help you stop thinking explicitly about them, and hope that they return to you in some more intelligible form. Evolution might have invented dreaming for this purpose but there was no way I could sleep.

The first imaginative machine consisted of sitting in a bar full of people watching Spain and Paraguay play soccer, then a gallery show (Michah Lexier’s playfully arid numbers-game group show A to B), then a movie and wine at Margaux’s. These were effective but only till waking Sunday morning in much the same state as Saturday morning, so I had to invent something better.

That better thing turned out to be to sit, pace, stroll and stride around a park with MP3s of talk-pieces by David Antin on my headphones. I had downloaded them because in a couple of days I would be introducing Antin at an event in the Scream Literary Festival in Toronto and wanted to get in tune with his work, which I’d known only passingly. Continue reading

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