Tea With Chris is a roundup of recommended links, posted every Thursday. Here are a few of our favourite things from the Internet this week:
Margaux: Uugh. James Cameron, director of faux-moral movies, buys a lot of land in another country. This seems so real-wrong. Are people really still allowed to buy land?
This is such a weirdly entertaining article on the Occupy Wall Street Summer Camp by Alan Feuer. When there is not an intoxicating swell of action, patience and humour prove nourishing .
The teenagers of the Torontonians and the art company Mammalian Diving Reflex (with Darren O’Donnell in the mix) are having a sleepover at Toronto’s Gladstone Hotel on the night of August 10th. The event is called Dare Night: Lockdown, sleepover with one eye open – An all-night horrifying sleepover dare-filled lockdown night. These aren’t the boring old-fashioned art days where the artists on stage challenge the bourgeois audience with difficult ideas about how culture should be and send that audience home so they can think about that. These are the new days, when the artists simply change all the rules for one night (or in this case 17 hours) and the audience job is to endure a new world. I can assure you, as someone who sometimes hesitates to “participate” in art, other than probably being completely delighted, you’d also probably be completely safe here. Sort of. Maybe. Begins August 10 at 7 pm, ends August 11, 12:00pm (17 HORRIFYING HOURS!). Free.
“This is the way the world ends” - A thoughtful article from Terrence Rafferty on the new crop of unheroic apocalyptic movies. My favourite: “Humanity is about to expire, but this time it’s personal.”
Carl: I don’t know why but my teacup is overflowing this week.
This account of the “increasingly bizarre and beyond logic” trial of the Pussy Riot art-activists in Moscow is at once entertaining and appalling. Another perspective on the case comes from Natalie Zina Walschots, who writes about other cases of prosecution of heavy-metal musicians who “stand in the sacred heart of things and scream.”
Here is Jacob Wren doing his own screaming as he generously blogs his novel in progress, Rich and Poor. The kinds of issues Jacob likes to masticate – class, violence, money, art, complicity – are also the meat of this conversation between art critic Martha Buskirk and Alexis Clements of the “Hyperallergic” website, titled “Art’s Corrosive Success.” And another angle on the art world’s insular economy comes from Allx Rule and David Levine in this satirical attack on “International Art English.”
Two great foes of corrosive success (whatever other corrosions they succumbed to) died in the past week or so, Gore Vidal and Alexander Cockburn. Neither produced a masterpiece, except for their lives. Vidal, that terrible-wonderful patrician-queen walking paradox, is being feted everywhere. But Cockburn, who was a columnist for The Nation when I worked there (Vidal also had a long association with the magazine), is less widely remembered today. My favourite comment about him this week came from a friend: “He was the real Christopher Hitchens” – that is, the fearless and unkowtowing political critic and scourge that Hitchens set himself up to be but too often let down (as his former friend Cockburn lamented). Michael Tomasky’s appreciation is ambivalent but does get at what was important about Alex; his former editor (and a former mentor of mine) JoAnn Wypijewski’s more personal tribute gets at what was beautiful about him:
“Is your hate pure?” he would ask a new Nation intern, one eyebrow raised, in merriment or inquisition the intern was unsure. It was a startling question, but then this was—it still is—a startling time. For what the ancients called avarice and iniquity Alex’s hate was pure, and across the years no writer had a deadlier sting against the cruelties and dangerous illusions, the corruptions of empire. But, oh, how much more he was the sum of all he loved.
So let us celebrate our surviving scourges: Garry Trudeau’s Doonesbury nailed one of the most neglected scandals of the current U.S. election season, vote-suppression legislation, with his historically acute series this month, “Jimmy Crow’s Comeback Tour.” And few have been paying heed while Canadian doctors stand up against similarly prejudicial bullshit on our side of the border, the Harper government’s cutoff of health care services to refugee applicants.
Chris: Terrible-wonderful patrician-queen and a gourmand-vulture too. When news of Vidal’s death emerged the first thing I thought of was Suddenly, Last Summer, the gloriously overwrought melodrama he worked on with frenemy Tennessee Williams (who once said of Vidal and Truman Capote, sounded both appalled and impressed, that “you would think they were running neck-and-neck for some fabulous gold prize”). Being a member of the cohort that learned about queerness from John Waters’ Simpsons cameo, this was the second thing: “Friends? Ha! These are my only friends: Grown-up nerds like Gore Vidal. And even he’s kissed more boys than I ever will.”
Dan Bejar explains a fair number of Dan Bejar songs: “I always loved music, but listening to rock seemed kind of gauche. It was not something that a human actually does; it was like some other world. The idea of it seemed very exotic.”