(from Thimble Theater, by E. C. Segar, 1930s)
Monthly Archives: April 2011
by Chris Randle
I was planning to write a real post this week, I swear. Then one of the people I wanted to interview for it came down with a nasty flu. Instead, like Carl last time round, I’m going to share a B2TW-friendly piece from parts elsewhere – my Toronto Standard interview with Katie Stelmanis. Here’s the intro:
“Many theological, mythological and esoteric traditions suggest that knowing an individual’s true name gives one power over them.
But the ancients never had to agonize over band names. Toronto’s Katie Stelmanis switched her stage moniker to Austra last year, and if that handle is less enigmatic than it seems — it’s just her middle name — the change corresponds with a greater musical one. The distorted keyboards and MIDI effects of her 2008 solo debut Join Us have given way to dark, atmospheric electro-pop on Austra’s upcoming Feel It Break, lushly produced and pledged to rhythm. […]“
The final result was a little more formal than I might prefer, but that’s magazines for you, and most of them wouldn’t couple the Q&A with 22 minutes of Austra performing inside an artificial cave. Yes, I’m excited about this Toronto Standard business. Carl will be writing for it too. In the meantime, I leave you with a bonus question, ’cause blogs don’t have no word count:
CR: I know it’s not included on the album, but what drew you to cover that Roy Orbison song, “Crying”?
KS: That song…Whenever I choose cover songs, I always choose songs that are really fun for me to sing. And I think, also, songs that are different from the songs that I write. That song is 100% about the words, and about the melody, and the words are just as strong as the melody. I often don’t listen to words when I listen to music, but in that song they’re so potent and so strong that it’s really enjoyable for me to sing. I feel like I’m telling a story, and it’s…it’s a really emotional and beautiful song, and I always take pleasure in singing songs that are telling a story, because my songs don’t really do that.
by Margaux Williamson
Last night at the Images Festival, I saw “Reframing Africa 1: Representation or Reality?”.
Boy, what a relief it was to see such good work. It’s rare to have all of the short works in a curated program be this full of life, this compelling – to have the story they form together be both so direct and so complicated. It was curated by the African filmmaker Jean-Marie Teno and included the work of 5 other African filmmakers.
Now that I trust Jean-Marie Teno completely, I can recommend a conversation between him and Deanna Bowen today, April 5th, at the Gladstone from 3 pm to 4 as well as his second curated program of short works that’s screening tonight (April 5 from 9 pm to 11 pm) at Jackman Hall (AGO) – “Reframing Africa 2: Perspectives in Mambety’s Footsteps.