(from “Violence City” in Chameleon #2, by Johnny Negron, 2011)
Advertisements
Little Boxes #72: Spikes & Chains
Comments Off on Little Boxes #72: Spikes & Chains
Filed under chris randle, comics
Categories
backtotheworld is a conglomeration of these 3 blogs:
Carl Wilson’s blog “Zoilus”
Margaux Williamson’s blog “Movie Is My Favourite Word”
Chris Randle’s blog “Gutteral”
TAGS
abstraction actors? Alan Moore animals Ann Powers art avant-garde bad guys Batman Beyoncé breaking bad Christmas Chris Ware class click for big conversations Darren O'Donnell David Cronenberg David foster Wallace destroyer drugs Eileen Myles Ernie Bushmiller feminism friends generosity Grant Morrison horror comics horror manga intimacy Jack Kirby John Cage John Darnielle Jon McCurley K-pop Kanye West Kathleen Phillips Lady Gaga late capitalism limitations Los Angeles Lynda Barry marriage Michael DeForge misha glouberman Nancy Occupy Wall Street oh i can see why you'd want to escape sex painting poetry Pop Conference Prince punk rock R.I.P. rap reality TV relationships revolution Rob Ford ryan kamstra Sheila Heti sholem krishtalka story teach me how to boogie teenager hamlet The Mountain Goats this politics thing Toronto torontopia us elsewhere value violence Werner Herzog will munro world cupArchives
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- January 2013
- December 2012
- November 2012
- October 2012
- September 2012
- August 2012
- July 2012
- June 2012
- May 2012
- April 2012
- March 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- August 2010
- July 2010
- June 2010
@theworldbackto
- Margaux's Friday Pictures - Mari Eastman, opening at Monte Clark Gallery in Vancouver on Aug … wp.me/pVpzT-21s via @wordpressdotcom 4 years ago
Back to the World · untimely talk about culture
