This 1979 mutant-disco reinterpretation of a song from Irving Berlin’s Annie Get Your Gun arguably queers the offensiveness out of it, and arguably doesn’t. The original has its roots in the ethnic-masquerade/hate-comedy of vaudeville and minstrelsy that Berlin partook in, early in his career – which likewise may include maneuvers of self-assertion and not just exploitation. (Cf Bert Williams; cf Jewface.) Many a toxic parasite haunts these borderlines between mockery and camp. But it’s sure hard to inoculate against this infectiously incorrect arrangement.