Category Archives: visual art

Margaux’s Friday Pictures – Hercules and Anateus, with one of the Furies, by Christoph Maucher (- 1695)

 

Christoph Maucher _Hercules and Anateus _with one of the Furies_
before 1695

 

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Margaux’s Friday Pictures – Brad Phillips, 1984-1987, 1997, 2013

 

Brad phillips 1984-1987-1997-2013

 

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Margaux’s Friday Pictures – Kate Wilson

 

kate-wilson_cold_drive_scenic_route_2009_d2_xl

 

 

kate-wilson_cold_drive_scenic_route_2009_d1_xl

 

 

kate wilson_still image from animated film a primer of small stars

 

 

kate wilson_a primer of small stars

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Margaux’s Friday Pictures – Clare Grill

 

clare grill_when-you-get-that-old

When you get that old

 

 

Clare Grill 12_slip

Slip

 

 

Clare Grill_frannie_v2

Frannie

 
Clare Grill 12_afternoon

Afternoon

 

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Margaux’s Friday Pictures – The Porter Family

 

The Porter Family_black leopard

 

the porter family_ baby seal in snow

 

the porter family_ snowleopard

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Margaux’s Friday Pictures – Jay DeFeo’s The Rose (1958–66)

 

Jay defeo_the-rose_e1000_150_567

 

 

Jay DeFeo _movingtherose

 

 

Jay DeFeo The-Rose

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Can We All Get Along!? (By Steve Kado)

Margaux Williamson: Steve Kado is one of my favourite artist people in town – who is sometimes not in town. He has startled and delighted me while standing on stage with a microphone and he is also very fun to talk to while not on stage.  He doesn’t write often and I asked if he would write something for Back to the World. He sent a post from L.A.

proxy.storify.com_-598x412

 

 

By Steve Kado

My friends and I were driving from Los Angeles to Tijuana to go to an art opening. Everyone in the car was involved in art to different degrees. One of our number was actually in the show we were going down to see. Three were from Australia and New Zealand; I was/am from Toronto. In San Diego we picked up Scott, a genuine American, who was in town visiting his mom – normally he lives in the desert where he builds his own house and designs books. At the same time, that weekend, there was a massive manhunt on for Christopher Dorner, the disgruntled victim of discrimination and racism within the LAPD who had had enough and gone on a cop-killing shooting spree. Confusingly, he did not exclusively kill cops, but also family members of cops.

Being that everyone in the car was from the arts, news-awareness was not always a strong point. Also, some people were travelling in America, not residents or even one-time-residents, and we all know how hard it is to keep up with the news when you’re on vacation. Unable, somehow, to bear listening to any news on the radio, we heard no broadcasts or music and tried to discuss the issue amongst ourselves. Earlier I had read that manifesto Dorner wrote. I would say that it was very easy to be sympathetic to him until he got to the killing part, and especially when he broadened the killing part to include family members of cops.

We were fuzzy on the excesses of the LAPD reaction. We had all heard something to the effect that they had shot up several (one? two? three?) different trucks, all because they feared Dorner was inside. In every case they had been wrong – Dorner was not in either of the vehicles they did in fact shoot at, neither vehicle was the make, model or colour of Dorner’s, and in one case the occupants were not even the right gender or number, being instead two Latina women doing a paper route. The asymmetrical and seemingly random armed response by the police force towards “trucks” as a category did, regrettably, seem to support aspects of Dorner’s manifesto.

Reflecting on it all now, one must also say that the silence about what happened to the police officers who reacted so excessively towards widely varying vehicles and people (at least in the news I’m getting) leads one to believe that perhaps nothing has really changed since the Rodney King and Rampart division scandals that Dorner mentions in his screed.

The mantra-like repetition of the phrase “cop killer” by others in conversation, before the car trip and during, led to the first attempt to hear music – Amy put John Maus’ Cop Killer on her phone. Playing out of the tinny speakers, all we could hear over road noise was the incessant repetition of the phrase “cop killer.” Scott put on the Body Count song of the same title but somehow it didn’t stick, despite arguably being more relevant to the specific situation and police force in question. All that night and the next day we would gloomily intone, a la John Maus, those two words.

After the opening we went to a very democratic dancing area. All types, ages and sizes were out there, giving it to the parquet flooring. We got very drunk. Then, around 2 am, a group of men with camouflage balaclavas, assault rifles and (perversely) GoPro cameras strapped to their heads trooped in. Taking one look at our half-antipodean gang the armed men (who seemed to be police) decided that we were of no consequence to them. They proceeded to ignore us while many of the other patrons in the bar were spread out against the walls, searched, forced to empty their pockets and line everything they owned up in neat lines on the ground and other such things. Finding nothing of interest, the armed men left, the music came on again a bit louder than before and things continued as if nothing had happened.

Back in LA, days later, Travis and I are walking from the Gold Line up to his house on a hill in Lincoln Heights. Every yard on the street he lives on is fenced in and contains between 2-4 dogs. These dogs are never walked, vary widely in size and do nothing but run in their yards and bark. The first day I arrived and woke up at Travis’, the first living animal I saw was the chihuahua across the street vigorously humping the terrier across the street. Choral waves of barking follow the passage of anything human or mechanical up or down the street. Acoustically, it is close, for me, to hell. Tonight, however, the dogs are quiet. “Cop killer,” we confide to each other, awed by the night’s silence. Almost immediately, a slow moving police car cruises by, checking us out with its search light. Neither of us match the profile of Christopher Dorner: Travis is a six-foot-something white beanpole and I am a less tall half-Asian person wearing a large backpack with huge glasses. Neither of us is an ex-reservist, neither of us seems interested in killing cops. The cops drive off but then circle back a minute later, just to make sure that we haven’t somehow merged Voltron-style into a cop-killing ex-reservist.

Later that week, the entire saga came to an end. Dorner was killed in a fire started by incendiary smoke grenades lobbed into the mountain cabin that he was hiding out in. He shot at and killed some more police before the fire got him. This was, more or less, how we all expected this to end. Watching CNN’s coverage of the minute details of one of Dorner’s police victims’ funerals in a Vietnamese restaurant, Travis and I try and make sense of a military ritual where a horse is led around with a pair of boots lodged backwards in the stirrups. It looks like someone had been riding a horse backwards and then vanished, leaving their boots behind. Neither of us can hear the CNN anchors explaining this over the din of noodles and slurping that fill the air. Everything from the emergence of a disgruntled ex-cop on a killing spree to the excessive reaction of the police once threatened and the inevitable Waco-like showdown felt grimly pre-recorded. But no one told us about the boot-thing that would happen at the end.

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