Tag Archives: Alice Walton

On the value of art and the Crystal Bridges Museum in Arkansas – aka, “The Walmart Museum”

by Margaux Williamson

Grant Wood / The Return from Bohemia / 1935

I’d been curious about the new Arkansas museum, Crystal Bridges, created by Alice Walton of the Walmart fortune, since it opened late in 2011. I went last week, while I was visiting family living outside of Hot Springs. My Arkansas relatives and I drove up through Ozark country to the small Walmart town of Bentonville to spend a day at the museum.

Outside of Hot Springs, before we left on our trip, everyone I talked to spoke well of the museum, whether they had been to it or not, whether they were interested in art or not. The subject of a painting bought for 35 million kept coming up. I noted the lack of anger, and the lack of disbelief on people’s faces when this subject was mentioned. I was curious what kind of painting could be bought for 35 million during a recession that didn’t anger people who maybe aren’t that interested in art. I understood a bit better when I saw the painting “Kindred Spirits”. The painting is representational and it’s not by Barnett Newman, and people in New York were angry that people in Arkansas took it away from them. Almost everybody I talked to knew that story. At least the 35 million dollar painting is about friendship and collaboration, I thought to myself.

I found these pre-museum conversations pretty interesting – especially the thoughtfulness on people’s faces when the subject of the 35 million dollar price tag came up. It seemed as though the meaning and the value behind that well-known purchase was rolling around silently in everyone’s head  – like, what is the value of 35 million? what is the value to us since we purchased it? Is it going to be worth more soon? Does it say something sacred about us? Does it watch us as we cross the room? I should mention that my family is from Texas and that they and their friends are, for the most part, Republicans and Christians. I understand that their faces in these conversations might be very different than all the other faces I didn’t come across in Arkansas. But with these faces, there was clearly enormous trust that there was value and meaning behind these art decisions. I was seeing trust in art decisions where I hadn’t before.

I can tell you that the museum is good, the crowds are huge and the politics are strange. The museum’s interests, purchases and displays change the value of some of these works – as is the nature of a museum. I could see values being raised or lowered, rearranging values in the art world a little bit.

It was interesting to see the American painters from the Hudson River School settle into a more confident position in an American museum. It was interesting to see the problems of colonialization, racism, sexism, truth and beauty, America and class brough out intentionally and unintentionally in the art . It was nice to see crowds with headphones in front of Kara Walker’s  work. It was fascinating to see a room full of complicated Arkansas mythology art. It was great to see Norman Rockwell, and one of his most moving, feminist pieces given a prize spot in the contemporary art section. And it was great to see Dolly Parton and Andy Warhol holding hands.

*For more on the subject, Kelly Klaasmeyer wrote a good piece in Glasstire, Crystal Bridges: Don Bacigalupi, Art, Arkansas, Populism and Wal Mart.

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Filed under margaux williamson, visual art

Tea With Chris: Disorienting Pleasures

Tea With Chris is a roundup of recommended links, posted every Thursday. Here are a few of our favourite things from the Internet this week:

Margaux: B.F. Skinner, the villainized behavioral scientist, is the ghost behind the most recent issue of the Atlantic. I pulled B.F. Skinner’s “Beyond Freedom and Dignity” years ago from a random bookshelf scan because I thought the title was funny. All I knew about B.F. Skinner was that, as an experiment, he put his young daughter in a box. The title seemed appropriate for such a man. Though when I read the book, it was surprisingly thoughtful and interesting, and B.F. Skinner kind of seemed more like a friend than a comical monster. Since then, I’ve always had warm feelings towards Principal Skinner, the good-intentioned principle on The Simpsons who continuously gets abused.

The Atlantic‘s headlining article “The Perfect Self” by David H. Freedman is about how B.F. Skinner’s behavioral science is in the lead for the  figuring-out-how-to-combat-obesity race. David H. Freedman reminds us that B.F. Skinner was strongly against punishment in the area of behaviorial modification and that, to date, the most sinister manifestation of his findings is Weight Watchers.

B.F. Skinner’s main theory: “All organisms tend to do what the world around them rewards them for doing. When an organism is in some way prompted to perform a certain behaviour, and that behavoir is ‘reinforced’ – with a pat on the back, nourishment, comfort, money – the organism is more likely to repeat the behaviour,” is echoed in other neighboring  articles.

It’s a challenge to make your own positive behavioral boxes or to spot the boxes that others have put you in. The Atlantic explores some of these puzzles with an Editor’s Note from James Bennet, a short story on the evils of good students desperate for the right awards by Molly Patterson, “Honors Track”, and a short text on “Dumb Kids’ Class” by Mark Bowden, who discusses the benefits of being underestimated. Mark Bowden himself bounced back between dumb and smart class as did I and probably lots of kids do around the age of eleven – as you try to work out which is your more advantageous option (or your teachers try to work out which is their more advantageous option).

I always love  dumb or stupidity as a subject. Like in some of John Currin’s work,

or in this this exceedingly pleasing 2003 documentary by Albert Nerenberg, Stupidity. You can see the full documentary here. If I remember correctly the best parts of it were short interviews with the very few acedemics in the world who study stupidity – attempting to talk about it still seems to be a curse or a taboo, something that can get you in all sorts of trouble. During the interviews, when the academics made any mistakes in speaking, they would look around slowly and cautiously as though someone was about to accuse them of being a moron. Such disorienting pleasures!

Speaking of disorienting pleasures, I just went to the contemporary museum in Bentonville, Arkansas that Alice Walton of the Walmart family founded, Crystal Bridges.

Carl: I am going to use Natalie Zina Walschots’ prose-poem-like “Postcards from the Polaris Prize” (parts One and Two) to help me decide how to fill the final space on my ballot, because they’re the best things the Polaris ever made happen except for the prize itself.

Maybe I will vote for Fucked Up’s David Comes to Life, because Natalie wrote: “David fires a rock at the forehead of Goliath. David is seventeen feet tall and made of marble. David is willing to send a soldier to his death after watching a woman bathe. David is an award-winning environmentalist and broadcaster. David is sometimes called Ziggy Stardust, sometimes the Goblin King. David is married to a Spice Girl. David has been frozen, buried, and locked in a plexiglass case suspended above the River Thames.” Or maybe Marie-Pierre Arthur’s record, because Nat says, ” In every movie that ever brushes against the narrative of a young woman coming-of-age, there is a scene is which she is sitting in the passenger seat of a car, the window rolled down, holding her hand out in the wind like it is a smooth bird.” Though I think that might be a very subtle insult.

This week I discovered Jenny Woolworth’s Women in Punk Blog, which only has a post every four or five months, but one of those posts is an 86-page including interviews with Alice Bag and Liliput, and other posts are entire mixtapes. So quit yer complaining. Also, this is a good list. And so is this. And the Supreme Court didn’t strike down health-care reform, so Happy Canada and/or America Day, or neither if you prefer.

Chris: I’m always reticient to link to my B2TW comrades here, because it can seem a little too incestuous, but Margaux’s Paris Review advice column response to the misguided query “What books impress a guy? What should I read to seem cool, sexy, and effortlessly smart?” was so impious and wise: “The only way to be cool, sexy and effortlessly smart without just being seemingly so is to build your own stupid house of books. Feel free to use all the wrong books in all the wrong ways, but the house really has to be real and you need to know why the house is there, in that specific location, in that specific configuration.”

“I am going to write a poem about using Meryl Streep’s laugh as a ringtone. / I’ve bookmarked an LA Times article from 1989 / in which her giggle eruptions are explored with great amazement. / I’ve tweeted extensively on the tone and timbre of/ each particular laugh.”

Up here Canada Day shares its 24 hours with Pride, a happy coincidence indeed. I’ll be at Shame, wearing a Will Munro pin, and this week Sarah Liss explained why.

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Filed under carl wilson, chris randle, linkblogging, margaux williamson