Tea With Chris is a roundup of recommended links, posted every Thursday. Here are a few of our favourite things from the Internet this week:
Chris: Michael Comeau, who designed them, has begun uploading posters for Will Munro’s city-altering Vazaleen parties onto Tumblr every day (via). As DeForge says, essential Toronto archiving.
“Comics will break your heart.”
Carl: Whether or not your political align with his, Michael Lind did some useful work this week in his three–part series in Salon of breaking down the current language of economic populism on both sides of the ideological divide, and, one can only hope, restoring the term “rentier class” to our vocabularies.
In another analytical mode, Richard Nash provides a refreshing, historically deep examination of the state of literature and publishing that is an immense relief from the blah-blah-money-blah of the day-in-and-out digital-dread discourse. To spoil the ending for you: “Let’s restore to publishing its true reputation — not as a hedge against the future, not as a bulwark against radical change, not as a citadel amidst the barbarians, but rather as the future at hand, as the radical agent of change, as the barbarian. The business of literature is blowing shit up.”
In that spirit, Emily M. Keeler talks to former jail librarian and author Avi Steinberg about what writing means in prison.
Last week in TWC, I paid tribute to the late Jason Molina. This week his fellow songwriter and friend Will Johnson lays a beautiful mourning cloth over those bones.
This week it is the time to mourn Paul Williams of Crawdaddy! magazine fame, one of the inventors of rock criticism as the barbarian. He started when he was 17, and stopped too soon. May our own maverick wildings someday make up for his lost time.
Also in sequels, in this week’s Tuesday Musics, I presented some discoveries that came courtesy of a talk by Ian Nagoski. Here is one I alluded to but didn’t follow up, the Indian classical singer Kesarbai Kerkar, whose amazing story (itself an epic Indian tale of humiliation, pride, discipline, triumph and withdrawal) is dwarfed by her actual art. (Thanks to Gabe Levine for the find.)
And for bonus points: Eraserhead-era David Lynch on new-wave public-access TV.
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