Tag Archives: inversion

Tea With Chris: Recklessly Perfect Things

Tea With Chris is a roundup of recommended links, posted every Thursday. Here are a few of our favourite things from the Internet this week:

Margaux: I went to an event recently, an informal award ceremony at The Gladstone Hotel in Toronto. The K.M. Hunter Artist Awards were recognizing my friend Jean Marshall’s work along with 7 other recipients. The people who received the grants were awarded out of the blue – nothing fancy, no applications, no parades, no advertisements. The night was structured around pretty great and simple short videos of each of the recipients talking about their work and somehow, as my mother would say, there was no B.S. – everyone seemed to know what they were doing. The video of my friend featured her first Skype conversation since she’s from way up north. All in all, a real classy way of going about an art award.

I love this art book by Richard William Hill, The World Upside Down, lent to me by the curator Michelle Jacques. As Hill explains inside: “The term ‘world upside down’ has its origins in Europe’s Middle Ages, and I have taken the liberty, as an enthusiastic amateur, of attempting an account of inversion in the visual arts of the Middle Ages and Early Modern periods.” There are many confident and recklessly perfect things inside, one of which is a discussion on tricksters that involves Chery L’Hirondelle. As L’Hirondell says there, “that spirit (the trickster) is there to remind us that many social parameters are just man-made, are not of the natural order.”

Ketchup is changing

This is a pretty interesting audio interview about hearing voices in the evangelical community – “‘When God Talks Back’ To The Evangelical Community”

Good art shows ended and in process in Toronto: I loved some of the new work from Derek Mainella at Neubacher Shor Contemporary. Jenn Murphy has an art show on now at Clint Roenisch gallery, Monkey’s Recovery, that I have no doubt will be pretty great to be in the middle of.

Chris: Here’s the pointillist form letter that rejected would-be contributors to Raw magazine received. “Impossible to reproduce / should not be allowed to reproduce.”

As someone who hates the word “foodie” even more than the bovine fetishism it denotes, I appreciate the fake menus a mystery comedian handed out at Brooklyn’s “Great GoogaMooga” festival (this orthography!) last weekend.

Carl: I have been distressed about our country this week. For just one example of why, listen to what a former government scientist has to say. On the other hand, I have been inspired by what our young, red-squared, francophone compatriots in Quebec have achieved, bringing hundreds of thousands of people into the streets to protest their province’s drift away from its social-democratic traditions and, subsequently, its attempt to curtail their rights to protest. If you’ve gotten a less positive impression, here are 10 points you should know.

On a lighter (but raspier) note, I had an animated conversation at a dinner party last night about the apparent speech trend called “vocal fry,” aka “creaky voice,” especially among young women, about which there was much pop-science chatter early this year. Today I stumbled on a terrific blog about speech that has a more in-depth examination of the phenomenon’s precedents, prevalence and implications, from Britney to Gene Pitney. I did like the theory that we came up with last night, though – that, among people with parents and elder siblings likely afflicted with at least traces of Uptalk, it’s probably a typical generational reaction-for-distinction.

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Filed under carl wilson, chris randle, linkblogging, margaux williamson, other, visual art

Tea With Chris: The Chairs Are Where the People Go

Tea With Chris is a roundup of recommended links, posted every Friday. Here are a few of our favourite things from the Internet this week:

Chris: The log that’s a bench. I like the idea of carving modern furniture into various parts of the landscape, as if inverting the ethos of those men in downtown Toronto who only wear lumberjack shirts.

The Xiu Xiu cover of Rihanna’s “Only Girl (In the World)” sounds exactly like I expected (well, aside from the “we can make sandwiches” interpolation) but that is very much okay.

A K-pop summer jam for you, complete with dubstep breakdown:

Margaux: In a waiting room, I came across this article by Fania Fainer in Chatelaine Magazine “Would you risk your life for a friend?”. I stopped to read it because I know Fania Fainer and recognized her picture. I’m friends with her daughter and have met Mrs. Fainer several times. She’s a very charming and open-minded woman. The article is incredibly short, and it’s one of the most meaningful things I have read in a long time. I highly recommend it.

Two of my favourite people (one of my best friends and my partner) made a book called The Chairs Are Where the People Go that’s just coming out now. It was included in a summer reading list, in spot #2 for New York magazine. Sheila Heti talked to her good friend Misha Glouberman to see if they could come up with chapters on what he knows. He knows 72 short chapters. It’s a strange, elegant and deceptively simple book – even useful.

Speaking of New York magazine, I appreciated this article by art critic Jerry Saltz on the Venice Biennale a few weeks ago (as did 292 people on Facebook). Saltz writes of being worried by the majority of the art he saw there – work that speaks to and interacts with the concerns of an older generation of art academics. I share this concern. He seems worried, but from where I stand I see the battle between those working within an older academic dialogue (looking to their teachers for their concerns and for their audience) and those striving to communicate beyond the contemporary confines of the art world (hoping to contribute to a contemporary world dialogue rather than just an inner art world dialogue) as pretty 50/50. Unlike Saltz, I am confident that the world kids will win – even if they aren’t yet being warmly invited to the Biennales. Or maybe they are just having too much fun on the internet.

Dear Toronto’s Bell Lightbox. Everyone loves your cinemas and everyone complains about your website. Everyone wants a clearly-visible button that will take you to the monthly schedule – they want a clear monthly schedule in your catalogue too, like in the olden days of cinema. Everyone also complains that they can only pay with Visa like at your film festival. People really don’t like that – especially the people who have a Visa card and none of their other friends do so they have to buy all the tickets.

Dear Lady Gaga, you can still work a persona even if you’re not acting all the time. A persona in the natural world is crazy! Wearing sneakers and dirty hair, with a boring old human face. That can be a dangerous and exciting platform for some persona play. Some people might not even know there is any persona play – and that can be fucked up.

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Filed under carl wilson, chris randle, linkblogging, margaux williamson